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PUBLICATIONS (selection):
2026
« Ce que nous voyons sans voir – Blank Spots (Reichsbahnbunker) », Cahiers d’Études Germaniques, 90 | 2026, 133-146.
https://journals.openedition.org/ceg/
2025
Grammaires fantômes – De la peinture furtive
https://hal.science/tel-05560284v1
2023
Drift: Art and Dark Matter, K-Verlag, Berlin (Canada/Germany)
https://kverlag.com/products/drift
2022
Post-specimen, Encouters Between Art, Science and Curating, Intellect Books, Bristol, (U.K.)
ed. by Ed Juler and Alistair Robinson
https://www.intellectbooks.com/post-specimen-encounters-between-art-science-and-curating
2021
Grammaires fantômes / Phantomgrammatiken, Maison de Heidelberg / Goetheinstitut (France/Germany)
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2019
Phototropia, Maison de Heidelberg / Goetheinstitut (France/Germany)
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2018
Catching the light, Kai 10, Arthena Foundation, Düsseldorf
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2017
Unfinished Sympathy, Maison de Heidelberg / Goetheinstitut (France/Germany)
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2014
MONOGRAPH: Pictures of Nothing, Kerber Verlag, Bielfeld (Germany)
https://www.kerberverlag.com/en/1183/nadia-lichtig
Essays (selection):
2007
Dean Inkster
I Wasn’t Kissing Her, I Was Whispering in Her Mouth
Je n'étais pas en train de l'embrasser, je murmurais dans sa bouche
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2008
Alain Marchand
Mon nom sera Frank
2012
Tristan Trémeau
From Pre-text to painting
2013
Marion Dufour
Echoes of languages
2014
Heike Fuhlbrügge
The precarious image
2015
Béatrice Retting
Gossip as Testimony
2018
André-Pierre Arnal
La voie humaine
2020
Sunny Kerr
Blank Spots
2021
Cristina Stoenescu
The Underestimated Presence of Absence
2024
BTN
Quelques Notes d'Oiseau
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