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2023, Drift: Art and Dark Matter, K Verlag, Berlin
2023, Study Day, What is an image? What is a painting?, MOCO Montpellier
2023, Study Day, What is an image? What is a painting?, MOCO Montpellier
2022, Post-specimen, Encouters Between Art, Science and Curating, Intellect Books, Bristol, United Kingdom
2020, Image fantôme, Aix-Marseille University, Maison de la Recherche, Aix-en-Provence
2020, Image fantôme, Aix-Marseille University, Maison de la Recherche, Aix-en-Provence
2020, Staying in the Trouble with Painting, La Canbière, Marseille
Staying with the trouble in Painting (#swttip) is a performative installation which is acted out on a 3 meter high and 20 meter long wall, in Passage Canebière - 73-75 la Canebière, 13001 Marseille. Around sixty artists from various generations and nationalities have been invited to propose a black and white poster linked to their practice. Posters appear on the wall in the order of their reception, in the position determined by each artist’s chosen coordinates. As time passes, the posters superimpose or cover one another completely, their blending is the collective work. Forms appear, meet and disappear randomly, questioning in an experimental way the concept of Author and the sustainability of an artwork.
Co-creation organized by: Arnaud Arini, Guillaume Durrieu, Alice Griveau, Nadia Lichtig, Katharina Schmidt, Hazel Ann Watling
Co-creation organized by: Arnaud Arini, Guillaume Durrieu, Alice Griveau, Nadia Lichtig, Katharina Schmidt, Hazel Ann Watling
2017/20, Painting as Passage
a series of group exhibitions, Montpellier
Painting as Passage — three group exhibitions curated by N.Lichtig, accompanied by editions (in German and French)
The exhibition series addresses the vast field of painting, accessing it from a perspective that goes beyond generally accepted approaches: To what extent can painting be defined? And from what notions can it be defined? What is its purpose, or what is it necessary for? In attempting to examine the spectrum of what can be considered painting in the broadest sense in contemporary art, a diversity of topics and areas of interest are included, intended to serve as suggestions for discussing painting from various viewpoints.
The exhibition Unfinished Sympathy questions the relation between painting & time, Phototropia approached the relation between painting & space, and Grammaires fantômes / Phantomgrammatiken develops from interrogations concerning the link between painting & language.
The exhibition series addresses the vast field of painting, accessing it from a perspective that goes beyond generally accepted approaches: To what extent can painting be defined? And from what notions can it be defined? What is its purpose, or what is it necessary for? In attempting to examine the spectrum of what can be considered painting in the broadest sense in contemporary art, a diversity of topics and areas of interest are included, intended to serve as suggestions for discussing painting from various viewpoints.
The exhibition Unfinished Sympathy questions the relation between painting & time, Phototropia approached the relation between painting & space, and Grammaires fantômes / Phantomgrammatiken develops from interrogations concerning the link between painting & language.
2017/18, Unfinished Sympathy, Maison de Heidelberg, Goethe-Institut, Montpellier/Paris
Exhibition, Nov.17—Feb.18, Edition, (A4, 500 ex.), including a conversion with Ludwig Seyfarth Maison de Heidelberg, German Cultural Center, Montpellier.
With Hansjörg Dobliar, Thomas Fougeirol, Nadira Husain, Shila Khatami, Daniel Lergon, Nadia Lichtig, Alexander Lieck, Emmanuel van der Meulen, Bernard Piffaretti, Renaud Regnery, Samuel Richardot, Katharina Schmidt, Stephanie von Schröter, Benjamin Swaim.
With Hansjörg Dobliar, Thomas Fougeirol, Nadira Husain, Shila Khatami, Daniel Lergon, Nadia Lichtig, Alexander Lieck, Emmanuel van der Meulen, Bernard Piffaretti, Renaud Regnery, Samuel Richardot, Katharina Schmidt, Stephanie von Schröter, Benjamin Swaim.
2018/19, Phototropia, Maison de Heidelberg, Goethe-Institut, Montpellier/Paris
Exhibition, Nov.18—Feb.19, Edition (A4, 500 ex.), including a conversation with Heike Fuhlbrügge, Maison de Heidelberg, German Cultural Center, Montpellier.
With Antje Engelmann, Anke Lohrer, Emmanuelle Castellan, Giovanna Sarti, Hanako Geierhos, Joseph Beuys, Karin Pliem, Lars Breuer, Nadia Lichtig.
With Antje Engelmann, Anke Lohrer, Emmanuelle Castellan, Giovanna Sarti, Hanako Geierhos, Joseph Beuys, Karin Pliem, Lars Breuer, Nadia Lichtig.
2019/20, Grammaires fantômes / Phantomgrammatiken, Maison de Heidelberg, Goethe-Institut, Montpellier/Paris
Exhibition, Nov.19—Feb.20, Edition (A4, 500 ex.), including a conversation with Rahma Khazam, Maison de Heidelberg, German Cultural Center, Montpellier.
With André-Pierre Arnal, Lars Breuer, Cordula Ditz, Guillaume Durrieu, Carola Ernst, Friederike Feldmann, Fabian Ginsberg, Olivier Gourvil, Jasmine Justice, Daniel Lergon/Gregory Carlock, Nadia Lichtig, Klaus Merkel, Edouard Prulhière, Baptiste Roca, Katharina Schmidt, Isabelle Simonou-Viallat, Hazel Ann Watling/Nicolas Ramel, Michaela Zimmer.
With André-Pierre Arnal, Lars Breuer, Cordula Ditz, Guillaume Durrieu, Carola Ernst, Friederike Feldmann, Fabian Ginsberg, Olivier Gourvil, Jasmine Justice, Daniel Lergon/Gregory Carlock, Nadia Lichtig, Klaus Merkel, Edouard Prulhière, Baptiste Roca, Katharina Schmidt, Isabelle Simonou-Viallat, Hazel Ann Watling/Nicolas Ramel, Michaela Zimmer.
2018, Catching the light, Kai 10, Arthena Foundation, Düsseldorf
2014, Monograph, Pictures of Nothing, Kerber Verlag, Bielefeld
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